The Time Machine ( film) - Wikipedia
Incorrect mistakes and their corrections for The Time Machine (). we find out that these blasts have knocked the moon off its orbit causing it to break up. "The Time Machine" is a witless recycling of the H.G. Wells story from marriage, a tragedy happens, and he vows to travel back in time in his new By the end of the movie, as he stands beside the beautiful Eloi woman and. The Time Machine () on IMDb: Movies, TV, Celebs, and more Is 'The Time Machine' based on a book? The Time Machine How does the movie end ?.
Despite the fact that Alex is a visionary, it was ultimately men like him that doomed the world. The first time Vox encounters Alex, he parts from the strange fellow with a snarky " Live long and prosper ", complete with the mandatory gesture. After living hundreds of thousands of years and happening to run into the same yokel who was babbling about impossible time travel, Vox seems to have accepted that Alex was telling the truth on that count.
Not much else is made of it, as both have bigger concerns at this point. The first sign Alex is traveling into the past is when the hands on his collection of pocket watches slow down, then reverse, speeding up as he travels further back. Alex can't stop Emma from dying, because her dying is the catalyst of him building his time machine, so time will come up with a way to kill her so that he has to go invent the time machine, trapping himself in the loop.
He goes back and turns his time machine into a bomb to kill all of them. Now that future presumably no longer exists, yet Alex is still around. The titular device creates a spherical bubble to protect the occupant. Reach outside, that protection no long applies. Alex hurts his hand when he instinctively grabs at an item he dropped. The Uber-Morlock, while wrestling with him on the machine, ends up hanging outside the bubble and ages into dust. Logically, any attempt to reach outside the bubble should have violently scattered their atoms across dozens of years of history, or cut the Uber-Morlock's hands off when Alex started going forward, but the Rapid Aging looked cooler, presumably.
Too Dumb to Live: Insomeone apparently thought using nukes on the moon to make caves for future habitats was a good idea. Cue, a few years later, Apocalypse How.
The Time Machine (2002)
Alex stops off in the s on his way toThe Morlocks, though not undead, have become pale from living underground and fear the light. In the original film nor in the book it's never explained how the time traveller can understand what people are sayingyears into the future.
This film does try to explain it by saying that the people speak a different language and that the 'stone language', or English, they learned from comes from broken signs and whatnot in Manhattan. Unfortunately that just raises questions on the logistics of how since a only a tiny portion of all English vocabulary would be found on signs; b knowing just the words don't help you in learning the language, you also need to know grammar, structure, etc. Mara does mention in dialogue that she was taught English, the "Stones" merely serve as learning aids as to what the letters look like.
Who Wants to Live Forever? Vox, the photonic library computer AI frominexplicably manages to survive the apocalypse in an above-ground building which presumably has absolutely no protection from that sort of thing. His power and memory unit last literally hundreds of thousands of years. The fact that he remembers everything doesn't help.
Leads to a bit of Pet the Dog when he's given the opportunity to do the one thing he wants to do: As a handwave, he mentions he's the only Vox left, and there's only one corridor of the entire library shown to be intact.
It's not inexplicable, it's just dumb luck. The World Is Just Awesome: Goes into full effect when Alex travels forward for the first time, making the coming destruction all the more tragic. You Can't Fight Fate: Played straight and then possibly averted.
Alex tries to save Emma but every time, she gets killed. Certainly a movie set in the future can have moon be out of orbit without creating a mistake. But to claim it was from blasting from megaton explosions and mining isn't plausible due to the sheer size of the moon. Remember, the moon is bigger than Pluto. All we hear is that the FIRST blast was a megaton explosion, and then later, that the attempts to colonize the moon had knocked it out of orbit.
We have NO idea what went on between the year andand to say that the moon's orbit was disrupted by megaton blasts is an assumption, nothing more.
Leonardo DiCaprio and Andy Muschietti to Remake 'The Time Machine'
Reply Hide comments Its impossible. A bomb 10, times the strength wouldn't do a damn thing to the moon.
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Not even hundreds of them. The mention of "blasting" was associated with lunar mining. Presumably, much of the mined lunar material was being freighted away from the Moon perhaps and probably back to Earth, but also to other destinationsthereby depleting the Moon's mass over time.
We know today that the Moon is gradually moving away from the Earth already under its current mass. Removing the Moon's mass gradually would affect its gravitational relationship to the Earth, eventually leading to the Moon's breakup due to gravitational tidal forces. The "blasting" would have only been the beginning of the calamity.
Reply Hide comments Sounds ridiculous. Got any idea how much mass they would need to remove from the moon before it would actually affect its orbit? You need such a big operation of constant removal of huge amounts of material from the moon, for centuries. At the same time, in framing political anxieties, such narratives also function as conservative fantasies in which protagonists are empowered to act in order to prevent terrible events from occurring.
Thus, time travel narratives establish a specific coding of spaces and timelines in disarray, which can be mastered or put right with the aid of the time machine and the knowledge that time travellers wield about future events. This is, for Wells, the end of time—the entropic end point at which everything ceases to be. Wells was heavily influenced by T. Wells depicts no other between the Victorian present, and the year of the Eloi and Morlocks. It is, in effect, the Victorian future.
For Wells, the erasure and destruction of humanity is scientifically inevitable, and is a frequent and reiterated danger not only in scientific and cosmic romances of the era, but also in subsequent time travel narratives.
Greed clarifies, cuts through and captures the essence of the evolutionary spirit.
Temporal Anomalies in The Time Machine
Hints of damage to America at large are evident via newspaper archives in Back to the Future II, where President Nixon seeks a fifth term in office in and Hill Valley becomes a toxic wasteland, but these ripple effects are not explored onscreen. Throughout these adventures, Marty is frequently warned by Doc Brown about the dangers of self-erasure in time travel, 13 the disastrous consequences of creating major paradoxes in the timeline, and the possibility of running into their other selves as he and Doc Brown revisit the pivotal events of the first film in a parallel narrative that lurks at the margins of the first film.
For Marty, his extinction is localised to himself and his siblingsas a result of his having disrupted timeline causality; for Wells, human erasure is forewarned as our biological and cosmological destiny. The later film suggests that the past can be corrected to render attainable such class migration—a notable cultural preoccupation of President Reagan during the s.
As Carolyn Anderson rhetorically asks: Specifically, these boundaries are construed particularly in the cinema of John Hughes as destructive barriers during the decade. Indeed, the s and the s share a considerable fascination with upward mobility, self-help and social betterment—an emphasis which frames not only these time travel narratives, but also decades in which genuine concern for the future dominated cultural, political, and economic thought. In Back to the Future, this sense of class anxiety brings about a distinct fracture within the McFly family, in that Marty, the only member of his family to travel through time, remains wholly unchanged by his adventure, while his family have evidently been remoulded in terms of their class status and taste.
Marty already seems to belong to the right class and conform to the right ideals, and therefore is not subject to revisionism. Upper-middle class status, particularly in the s, was perceived to be a position to which one simply ascended with hard work and financial reward.
Conforming to the Horatio Alger myth, 15 much like the yuppie cinema which also came to the fore during the decade, taste, consumption, and acquisition directly followed such upward mobility in the s cultural mindset.
All around them, in movies like Working Girl, Flashdance, and Top Gun, characters are chasing their dreams, making it count, chasing their tomorrows, starting up small ghost-busting agencies and other such eighties activities; but The Terminator and Back to the Future were the only movies whose protagonists chased their tomorrows to quite so literal a degree—time travel movie as self-improvement manual.
Leonardo DiCaprio and Andy Muschietti to Remake 'The Time Machine'
This is probably not what H. Wells had in mind when he wrote The Time Machine. Back to the Future allows for the cinematic fantasy of rewriting and reediting our own present, through altering the historical record, simply by rewriting our own personal history for our future economic and social betterment.
Yet again, we see here the dramatic impetus underlying Back to the Future is the nightmare of biological determinism and, more specifically, the fear that failure is hereditary.
So much so that Marty will not only make a success of his own life but will with the aid of Doc and a time traveling machine guide his troubled teen parents towards a far better future than the one they had made for themselves without his wise and sobering influence.