In Jan Krenz asked Witold Lutosławski for a composition to mark the following year’s tenth anniversary of Béla Bartók’s death. However. Funeral Music for String Orchestra. Duration: 13’30”; Instrumentation: archi ( ); Year: ; Language of edition: pol; Type: parts. Composer:Witold Lutosławski; Original title: Muzyka żałobna na orkiestrę Variations for Orchestra, Lutosławski: Funeral Music, Livre pour orchestre”, Berliner.
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The works premiere took place on 6 March in Katowice. Newsletter PWM Sign up. In the development of the form, one can notice a muisc increase in density of movement achieved by progressive complication of the rhythmic language leading finally to the Apogeum 3rd part. Significantly, the twelve-tone row consists of only two intervals: Funeral Music for string orchestra.
It is of small dimensions and non-independent character – this segment is essentially the culmination of the entire work. The Lutodlawski, closing the whole, brings a reminiscence of the mood of the Prolog.
This is accompanied by an intensification of sonic movement. These four distinct sections are:. In the second part, the Metamorphoseswe hear a return of the melody from the Prologuetransformed in a sophisticated manner: The series fueral successively presented a fifth lower according to the lutospawski of fifths.
Ninateka – Three composers – Funeral Music for string orchestra
It consists of a succession of 32 twelve-tone chords. The piece is scored for a small string orchestra of four violins, two violas, two cellos, and lutoslawwki basses.
The main culminating point was constructed on the basis of a note chord complex. Metamorphosen – the dynamic 2nd part – is initiated by nervous pizzicati. Views Read Edit View history. Its process is characterized by a gradual buildup of tension to the culmination, after which follows quiet and tranquility. It is in one movement, but one can distinguish in it four clear phases. Chain form describes a technique in which a composer lytoslawski two independent strands of music.
This page was last edited on 29 Januaryat In any event, in this piece the wide registration gradually collapses inward onto a single pitch that initiates the final section. The dodecaphonic canon of the first section appears in this final section. Music Education Day Check. From Wikipedia, the free encyclopedia.
Musique funèbre – Wikipedia
Toward the end of the Apogeum the span of the chords is diminished, while the chords themselves are reduced to a single note opening the fourth part of Funeral Musicthe Epilogue.
The music is formed similarly to that of the Prologue — with tension not rising, however, but falling. Tension rises until the moment in which the violins chant two notes, F and B, a chant then taken up by the cellos with the double basses.
The introduction to the moving atmosphere of this musical homage is the Prolog, which is in the form of a canon. Its successive notes are interspersed with strange tones, the number of which gradually rises from one to seven.
Work on the piece lasted longer, however, and the Trauermusik was finally completed in Although the apogeum is relatively short, clocking in at less than one minute and consisting of a mere twelve bars, it is nevertheless structurally significant. Articles containing Polish-language text.
Funeral Music for string orchestra – Three composers – Ninateka
The composition consists of one movement with four distinct sections marked by changes of texture and instrumentation as opposed lutoslawskl four distinct movements, which are marked by double bar lines and extended periods of silence. Update Required To lutoslasski the media you will need to either update your browser to a recent version or update your Flash plugin.
For me, it represents the beginning of a new period, it is the result of lengthy experiments.
This reaches its greatest intensity at the beginning of the climactic third part, the Apogeum. Retrieved from ” https: It is filled by a series of tone chords played sonorously by all instruments.