Meet the Robinsons Movie Quotes
walt disney meet the robinsons quote | Disney Quote - meet-the-robinsons Screencap. The theme of Meet The Robinsons (opening March 30) aptly ties directly to with the full quote from Disney, yet begins with a new Walt Disney. Instead of looking back you should always "Keep moving forward" is what Meet The Robinsons always teaches me. I love this Disney movie because every time .
It's just one big giant factory. We talked a lot about Apple products: Soft, happy, puffy clouds, blue skies and bubbles. The Incredibles was a definite inspiration for this.
It was eye-popping to me, and certainly part of my education in 3D and how to do character animation with all of its subtleties. We looked at a lot of Warner Bros. Alice in Wonderland, Cinderella and Peter Pan were Disney inspirations as far as combining believable characters with much more caricatured ones in the same scenes. In the future, things move a little bit faster and are quirkier and more off beat, with characters that can zip around like Warner Bros.
It creates shadows based on the proximity of one object to another. It's a way to avoid that glowy feel that computer animation has or the way mouths look like they're illuminated from inside.
“Meet the Robinsons” Awakens Walt Disney’s Spirit and Offers Wisdom for Naperville’s Own Future
Occlusion, because it's a closed space in there, will darken that mouth immediately. Then when we add our texture and lighting on top of that, you have a bit more real look to the images you're creating. It took a while because I'm so used to how you create the impression of space in 2D: In 3D, it's still an impression, it's still an illusion, but it's that much greater.
What is the texture of a certain character or a certain building material? I never would think of those things. That really opened up a whole new world for me. So I went from impressionistic thinking to realistic thinking. Because our movie got off and running so quickly, it was a matter of me getting thrown into it and watching what everyone was doing. They would ask me questions like: My education was leaning on people around me and relying on them.
The rig was based on Chicken Little, but departed somewhat with an automated rig setup that allowed them to churn out a number of rigs that the rigging department wouldn't have to build from scratch. These base set templates allowed certain blend shapes to be spread across a similar topology on different types of rig structures.
Meet the Robinsons Quotes
After Shock is a dynamics tool built off of Maya's tool that allowed them to calculate speed, velocity and direction of, say, Lewis' head turning. And the animator could dial in the amount of drag and resistance and to spit that out basically for free. We could then bake it out and then simplify the baking out so that the animator could use every bit of it or hand-tweak [what they don't like] themselves, or run a simulation on that part if they like.
Just ways to speed things up and give them more time for the performance, because that's where Steve and I really wanted to focus. That's why he hired assistants to deal with wrinkles and interpenetrations of characters. With Lewis, you get much more grounded, traditional Disney animation, classic Peter Pan, strong anticipation, nice round arcs, whereas the future with Wilbur is much snappier, to look at characters like Daffy Duck, where you get into a one-frame pose, very sharp, very abrasive in their nature.
We had a nice time playing with those two worlds in animation. With Bowler Hat Guy, he fits into both nicely, and we really had a lot of deformers within the rig to bend him around until he gets nice S shapes, say, in his arm or his spine to really distort him, not that you're reading that distortion, but in fast movements, it's a very snake-like quality.
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That is the hardest stuff to do in animation -- it isn't just moving the character from point A to point B. The character has to emote and you have to get that to an audience. And when you haven't had the chance to learn the rig and understand that character, that's a tall order to get.
But Anderson did not dismay when reviewing the set of notes. It simplified the process and made it more emotional. Without knowing it, they helped us return to an idea we had very early on for this particular moment [when he finds her], so it was interesting to come full-circle and take it a different way.
What is the relationship between Doris, the bowler hat, and Bowler Hat Guy? He's a villain, but he's really not that evil or bungling, which one are we going to choose? So the relationship between them became more of a mother and son where she's really the evil one. We were able to make the notes our own.
We pushed the emotion and got a real sense of family with the Robinsons. Preaching won't keep youngsters out of trouble, but keeping their minds occupied will. He was a means to an end. He popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when the business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.
Born of necessity, the little fellow literally freed us of immediate worry. He provided the means for expanding our organization to its present dimensions and for extending the medium of cartoon animation toward new entertainment levels.
He spelled production liberation for us.
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With enough effort, he may achieve it. Or he may find something that is even more rewarding. But in the end, no matter what the outcome, he will know he has been alive. Usually it implies some risk -- especially in new undertakings. Courage to initiate something and to keep it going, pioneering and adventurous spirit to blaze new ways, often, in our land of opportunity. But wide awake, not blind faith, moves me.
You may not realize it when it happens, but a kick in the teeth may be the best thing in the world for you. Philosophies for Living a Robust and Fulfilling Life Disneyland is something that will never be finished.
It's something that I can keep developing. It will be a live, breathing thing that will need change. A picture is a thing once you wrap it up and turn it over to Technicolor, you're through.Keep Moving Forward
Snow White is a dead issue with me. But I can change the park, because it's alive. And this made me nervous.
I knew the picture would have to gross 10 million dollars for us to break even. But still there was no negative head-shaking. No prophets of doom. Even Roy was happy. He didn't even ask me to show the unfinished picture to a banker.